Clap skates: every skater is using them nowadays. But forty years ago, no one had heard of them. Initially, no top skater would dare to switch to this new type of skates. But after the success of one youth team, the biggest revolution in speed skating took place. And it all started with this one test model from Amsterdam.
Categorie: Rubrieken
De Aanzet kent meerdere rubrieken. Deze worden allemaal geschreven door leden van de redactie. Recensies, opiniestukken, interviews… je vindt ze hier!
De passie van… Enno Maessen
In this De passie van…, Enno Maessen explains his passion for urban history and the diversity of Istanbul. The interview discusses where this love for urban history and Turkey originated from and explains the importance of the experience of space. Enno hopes to share his passion with students and colleagues alike. Hopefully, this De passie van… inspires you to delve a little deeper into the possible fields of exploration within urban history and Turkey.
Een onderzoek naar de adel
In this Hoe geschiedenis jij? professor Renger de Bruin talks about historical research on a specific subject: the nobility. He does so by introducing his two current studies, one on the nobility in the province of Utrecht and the other on members of the Bailiwick of Utrecht of the Teutonic Order, between 1640 and the midpoint of the twentieth century. Renger touches on the different sources and research methods used, but also on the role and position of nobles through time.
900 jaar Utrecht: Echt Verzonnen
Always follow the sources and never invent ‘information’. That’s what we, historians, are taught during our education. But recently my students and I have been making up stories. We have been ‘interviewing’ people from Utrecht who have been dead for quite a few years. By Geertje Dekkers
Vanuit de nevelen van de geschiedenis tot mensen van vlees en bloed
How do you write a history about people who cannot be found in archives? That question is the central part of Suze Zijlstra’s De voormoeders. Dasja Zonneveldt read and reviewed the book.
Geschiedonderzoek in podcasts stelt de zoektocht centraal, niet het resultaat
In this Hoe geschiedenis jij? Professor Pim Huijnen introduces the concept of historical podcast series. This format offers historians a way to show the everyday process behind their work. It triggers them to also think about storytelling, tension build-ups and activating their listeners. If they manage to do so, a lot of opportunities arise, building on the endless amount of historical stories, cold cases and information. Huijnen therefore calls on students and historians to go and explore the format of historical podcast series.
The Black Woodstock: een vergeten festival in beeld gebracht
Woodstock was a world famous music festical, held in 1969, and has gotten much attention in the past and present. Held in the same year, the Harlem Cultural Festival, never got the same kind of attention. With his directoral debut, Ahmir ‘Questlove’ Thompson tries to pull the festival from the clutches of oblivion. Dirk Hooier watched and reviewed ‘Summer of Soul’.
De passie van… Gertjan Plets
We interview dr. Gertjan Plets about passions in all shapes and forms: passions at work, in leisure time and at the interface between the two. Topics discussed are Gertjan’s journey from archaeology to heritage, his recent research into energy companies’ sponsorship of museums, his enthusiasm for handiwork and cycling, and what he looks for in colleagues and students. Above all, Gertjan celebrates passion and encourages everyone to follow their interests.
Minder Rembrandt, meer Ruysch
Why do we see so few female artists in museums? Despite social and institutional barriers, there have definitely been women who were successful in the art world. It’s time to shed more light on these women and to do justice to this often neglected part of (art) history.
De Javaanse kris: machtssymbool pur sang
In this Beeldspraak Maud examines how the Javanese kris is a symbol of power and the practice of politics in various ways. She describes how gift-giving has traditionally been a way of maintaining political relations and why building a collection of colonial objects is not a neutral activity. She links all this to the kris that is central to this article, in order to illustrate the direct link between the object and the past.
